Model Releases: A Digital Photographer’s Guide to
reviewed by Dr. Eric Flescher, Olathe, KS: (dreric1kansas@aol.com)
Author: Dan Heller
Publisher: Wiley Publishing , Inc. 111 River Street, Hoboken, NY 0703 Released: March 31, 2008
Pages: 288
$30 USA
$ 33 Canada
ISBN-10: 0470228563
ISBN-13: 978-0470228562
Strengths: Comprehensive information about model releases. Full color and additional hints abound through the book. Excellent model photographs highlight nice examples. Vertical tabs at the side of each page highlight main part of the section. Nice yellow like sticky notes are strategically placed throughout the book and the pages, to portray tips and highlight specific concerns or ideas that are relevant to the chapter/ pages or text.
Weaknesses: None
Novice/Intermediate/Advanced
Rating: 5/5
Introduction
Taking photos of people, places and many types of visuals, for publication, is commonplace. However in many lines of work, the necessity and use of model release forms is misunderstood, to say the least. Sometimes the nuances are not quite understood or well defined in many cases, by photographers or the places of business themselves. The book Model Releases: A digital Photographer’s Guide, helps to clarify the meaning of much of the process and update advanced in print media and more in recent years.
The author has been a freelance photographer and photo industry analyst. His works have been featured in publications from news and business media to fine arts books. This book is the result of over five years of his research to model releases. He is well versed in the changing trends that have transformed books, the press, music and much more, in recent years. His knowledge is transmitted to this book in a very readable and understandable way.
The seven part book covers a wide range of important topics within its 288 pages. The titles of the parts of the book highlight the necessity of model releases. These are : Everyone’s doing it ; So what’s wrong; What’s a model release ; Understanding “use”; Analyzing the need for a model release; Dealing with photos of property; The business of Licensing. The book makes it much easier to clarify when releases are needed and not needed. What buyers need in the way of model releases, and those who don't need releases are summarized. Also included is information for marketing and licensing all your photos, whether they have been released or not. Also the author does the best he can in accumulating years of information and distilling helpful information in one book.
The book is relevant to those in the United States and abroad. The author helps to define in clear terms, what should be initiated and followed through, under many situations and circumstances. He is clear and concise so that misinformation does not occur and clarity of the releases are understood. The well illustrated text is a very comprehensive book available on the subject, covering everything you would to know about model releases. The releases pertain to people, places and additional circumstances. Much has changes in light of a photographer's role in the creation of photographs that may be uses on or in conjunction with the internet, with digital photography. newspapers, books and magazines.
Conclusions
This important book is both insightful and a pleasure to read and understand. The book is useful for everyone from professional photographers whose work involves photography to those amateur photographers who take vacation pictures on vacation, take photos of at their children' s teams/games, schools or more. This book also includes information about models themselves and what they can learn about their rights concerning how they can protect themselves and when that is not possible.
The importance of this book is highlighted by the fact that a well known technology firm “stole” (or should we say “did not secure properly”), music from my daughter’s business/ firm. Whether it was on purpose or not, she had to set them straight and went through the proper channels. This was an interesting event and it served to highlight what should and needs to be done. In addition, a firm in Africa wanted to use one of my photographs for their greeting cards. To make a long story short, I had to find that person and that firm, after they used my photographs, as the individual did not forward my payment. If I would have the information from this book, I would have know the proper course of action to protect the transaction. This book would have let me know, in advance, the proper procedures so that the situation would have not occurred. Now I am better prepared. And you will be too if you read this well prepared book.
Whether you are in business, work with photographs at your home, business or use photos for personal use or involved in possible interactions with businesses, schools or more, this book is well worth reading. There is something to be said for knowing and understanding your rights, as well as the rights of clients and businesses and anything that relates with and dealing with photography and photorgaphs. That way you can make the best decision about your photographs that possibly will end up in businesses, books or elsewhere.
Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts
Thursday, January 15, 2009
Friday, May 23, 2008
Photoshop CS2 Workflow: The Digital Photographer's Guide
Photoshop CS2 Workflow: The Digital Photographer's Guide
By Tim Grey
$39.99
pages 352
© 2007
ISBN: 978-0-470-11941-4
Sybex
1151 Marine Village Parkway
Almeda, CA 94501
http://www.sybex.com
Strengths: Includes information on raw format images. An in-depth highlight of curves with the applications, which is a very difficult topic, is applied in an excellent fashion in this book. Information regarding adjustment layers well done.
Weaknesses: Too much verbiage.There is a need for more arrows and pointers to integrate the information laid out in the screenshots and applied to the text and tutorials.
Rating: 4/5
*
Reviewed by Dr. Eric Flescher, Olathe, KS (dreric1kansas@aol.com):
“Workflow” is the latest “buzzword” regarding digital imagery. The word relates to the whole process of taking your images from the beginning to end and all the processes, tasks and management issues that are needed, for making your finished images even better. Photoshop CS3 Workflow: The Digital Photographer's Guide, is the next version of a popular book that takes your through the steps of workflow evolution.
The author, Tim Grey, is a renown Photoshop and digital photographer . He is Microsoft’s Chief ambassador to professional photographers and presents workshops on digital imaging. He is the author of another book Color Confidence. This book is the latest version of this book. I wanted to see whether this book has been updated compared to the previous version which I reviewed.
Within the book, there are many brilliant photographs to illustrate the points the author is trying to show you. Notes are also “peppered” throughout the fourteen chapters. Additional ideas related to the techniques are highlighte. I found these insightful and tied in well with the tutorial type information for the most part. Many screenshots, help illustrate the learning process but I wish some of them were larger. I would have liked to have seen more icons (like more red circles or pointers) that could have served to highlight and focus what the author talking about in the text.
Part 1, points to “getting started” and takes you from the beginning. Chapter 1 talks about workflow foundations. The main focus is the final results you want for your images. Chapter 2, “ downloading and sorting, uses the browser Adobe bridge. On page 28, the “palette set up” is very well written in explaining and using palettes. The tool and palette shortcuts (page 34) are also well done and useful. Chapter 3, “ raw conversion” is well explained in terms of the reasons for using RAW images instead of JPEG or other types of images.
Part 2, works on the basic adjustments that are needed. In Chapter 4, “Basic adjustments” details how to use basic tools as, rotate and crop, using crop tool, using aspect ratio.
Chapter 5 “Basic tone and color “ specifically targets evaluating channels. This written introduction into channels is done very well. In fact, this is some of the best information on the topic that I have seen. The screenshots and the shots of the application windows (example, Curve, levels, etc.) helping with the understanding. However only in a few places (for example in p.101) were additional pointers or guides used in the windows (for example: red enumerated small circles or additional ways) to verify even more explicitly what the author is speaking about. This chapter (p. 110) has a real nice listing of five benefits of adjustment layers but I would have liked to have seen this information earlier in the chapter and focusing specifically on the benefits through the tutorials and screenshots. Levels and problems signs followed with clipping, gaps and posterization with levels adjustment p. 110-113) but I did not feel that the information was cohesive enough. Color balance (p. 108) and (p. 112) basic saturation have well done instructions.
Notes in Chapter 6 are very helpful. Here in Chapter 6, “ Image cleanup” has information concerning healing brush, cloning stamp (copying parts of the text to others to clean up smudges by copying from one part of the image into another – for example sky color).
Now Advanced adjustments come into play on Part 3. Chapter 7, “Advanced tonal adjustments,” covers working with image tones. Shadow highlights (page 138) is an interesting section and nicely done. Curves information and adjusting these (p.143) I fell are the most difficult to understand and master. The author does an exceptional job in explaining this topic done and is some of the best I have ever seen. Ways to use anchor points are excellently written. The curves table (p.159 and throughout this chapter visually nicely done.
Chapter 8 has advanced color adjustments information which includes hue / saturation, color casting and more. Chapter 9 works with the selection tools is not one of the best chapters. There should have been more visuals, many of the screen shots should have been bigger. I wish there was more to show and display how the selection actually work instead of all the verbiage.
Chapter 10. targeting adjustments layered masks I have been a difficult one to accurately portray and teach in many books. Once again there are too many words, not enough visuals and some parts are plain confusing to understand. Chapter 11, creative adjustments talks about filters. The screenshots are small and there aren’t arrows, pointers or circles. Steps to take are created in paragraph form and it “hurts “ when trying to figure out the processes.
Part 4 finishing the workflow (Chapter 12) finishes with saving files while workflow automation (Chapter 13) follow and finally there is (Chapter 14) teaches some of the output processing.
The Appendix has a sample workflow checklist which makes sense. I like that the chapters for target objectives are included here (but I would have been even better if the pages were listed). Finally the index is well done.
Conclusions
Overall the author portrays the PhotoShop tutorials for use of digital photography. The notes throughout the chapter help break up the use of the text but its not enough. There is just too many “words” in the explanation process.
I would have liked to have seen more arrows or pointer to the parts of the histogram that the instructions “talk about.” Sometimes the terms (like posterization on p. 103) are inserted at the end of a paragraph and should have been integrated better instead of making me feel like some of the information is included at the end or the last second.
I “wrestled” with this review. While there is a lot that “hits the mark” in terms of understanding, I feel that style and way much of the instructions are written get in the way of learning. The text feels “too much like a seminar workshop” which the author is noted for. Lectures go too fast at times. Sometimes there is a need for visual pointers for additional guidance so one does not “get lost”. Sometimes with seminars, I say to myself “ stop, hold-it, backup”. The seminar has moved ahead and I am stuck or still digesting what is said. Added visual pointers can help slow down the written workflow when one needs to, to regroup and then forge onward.
But fortunately this is a book and you can go back and try to make sense of the process if you are listening to a presentation/ workshop. I thought about the final “grade” for evaluating this review. Overall this book is solid but it has a lot of gaps mainly because of the multitude of text and not enough visuals. The tutorials are too long and should have been broken up. At times I found it difficult to figure things what the author was trying to “say”. I have seen tutorials in other books. I just did not “get what the author was saying” part of the time. Part of the problem is “too much text”.
I was looking for something a little different to find out more about using Photoshop skills to supplement what I already knew and in some ways I found it in some of the chapters. But much of this book and the way it reads does not suit my “learning style”. For my tastes, I will have to look to my other resources to advance my workflow knowledge. But other Photoshop ( intermediate and advanced) users who want to improve their image production and work on their workflow, may find the book to their liking.
By Tim Grey
$39.99
pages 352
© 2007
ISBN: 978-0-470-11941-4
Sybex
1151 Marine Village Parkway
Almeda, CA 94501
http://www.sybex.com
Strengths: Includes information on raw format images. An in-depth highlight of curves with the applications, which is a very difficult topic, is applied in an excellent fashion in this book. Information regarding adjustment layers well done.
Weaknesses: Too much verbiage.There is a need for more arrows and pointers to integrate the information laid out in the screenshots and applied to the text and tutorials.
Rating: 4/5
*
Reviewed by Dr. Eric Flescher, Olathe, KS (dreric1kansas@aol.com):
“Workflow” is the latest “buzzword” regarding digital imagery. The word relates to the whole process of taking your images from the beginning to end and all the processes, tasks and management issues that are needed, for making your finished images even better. Photoshop CS3 Workflow: The Digital Photographer's Guide, is the next version of a popular book that takes your through the steps of workflow evolution.
The author, Tim Grey, is a renown Photoshop and digital photographer . He is Microsoft’s Chief ambassador to professional photographers and presents workshops on digital imaging. He is the author of another book Color Confidence. This book is the latest version of this book. I wanted to see whether this book has been updated compared to the previous version which I reviewed.
Within the book, there are many brilliant photographs to illustrate the points the author is trying to show you. Notes are also “peppered” throughout the fourteen chapters. Additional ideas related to the techniques are highlighte. I found these insightful and tied in well with the tutorial type information for the most part. Many screenshots, help illustrate the learning process but I wish some of them were larger. I would have liked to have seen more icons (like more red circles or pointers) that could have served to highlight and focus what the author talking about in the text.
Part 1, points to “getting started” and takes you from the beginning. Chapter 1 talks about workflow foundations. The main focus is the final results you want for your images. Chapter 2, “ downloading and sorting, uses the browser Adobe bridge. On page 28, the “palette set up” is very well written in explaining and using palettes. The tool and palette shortcuts (page 34) are also well done and useful. Chapter 3, “ raw conversion” is well explained in terms of the reasons for using RAW images instead of JPEG or other types of images.
Part 2, works on the basic adjustments that are needed. In Chapter 4, “Basic adjustments” details how to use basic tools as, rotate and crop, using crop tool, using aspect ratio.
Chapter 5 “Basic tone and color “ specifically targets evaluating channels. This written introduction into channels is done very well. In fact, this is some of the best information on the topic that I have seen. The screenshots and the shots of the application windows (example, Curve, levels, etc.) helping with the understanding. However only in a few places (for example in p.101) were additional pointers or guides used in the windows (for example: red enumerated small circles or additional ways) to verify even more explicitly what the author is speaking about. This chapter (p. 110) has a real nice listing of five benefits of adjustment layers but I would have liked to have seen this information earlier in the chapter and focusing specifically on the benefits through the tutorials and screenshots. Levels and problems signs followed with clipping, gaps and posterization with levels adjustment p. 110-113) but I did not feel that the information was cohesive enough. Color balance (p. 108) and (p. 112) basic saturation have well done instructions.
Notes in Chapter 6 are very helpful. Here in Chapter 6, “ Image cleanup” has information concerning healing brush, cloning stamp (copying parts of the text to others to clean up smudges by copying from one part of the image into another – for example sky color).
Now Advanced adjustments come into play on Part 3. Chapter 7, “Advanced tonal adjustments,” covers working with image tones. Shadow highlights (page 138) is an interesting section and nicely done. Curves information and adjusting these (p.143) I fell are the most difficult to understand and master. The author does an exceptional job in explaining this topic done and is some of the best I have ever seen. Ways to use anchor points are excellently written. The curves table (p.159 and throughout this chapter visually nicely done.
Chapter 8 has advanced color adjustments information which includes hue / saturation, color casting and more. Chapter 9 works with the selection tools is not one of the best chapters. There should have been more visuals, many of the screen shots should have been bigger. I wish there was more to show and display how the selection actually work instead of all the verbiage.
Chapter 10. targeting adjustments layered masks I have been a difficult one to accurately portray and teach in many books. Once again there are too many words, not enough visuals and some parts are plain confusing to understand. Chapter 11, creative adjustments talks about filters. The screenshots are small and there aren’t arrows, pointers or circles. Steps to take are created in paragraph form and it “hurts “ when trying to figure out the processes.
Part 4 finishing the workflow (Chapter 12) finishes with saving files while workflow automation (Chapter 13) follow and finally there is (Chapter 14) teaches some of the output processing.
The Appendix has a sample workflow checklist which makes sense. I like that the chapters for target objectives are included here (but I would have been even better if the pages were listed). Finally the index is well done.
Conclusions
Overall the author portrays the PhotoShop tutorials for use of digital photography. The notes throughout the chapter help break up the use of the text but its not enough. There is just too many “words” in the explanation process.
I would have liked to have seen more arrows or pointer to the parts of the histogram that the instructions “talk about.” Sometimes the terms (like posterization on p. 103) are inserted at the end of a paragraph and should have been integrated better instead of making me feel like some of the information is included at the end or the last second.
I “wrestled” with this review. While there is a lot that “hits the mark” in terms of understanding, I feel that style and way much of the instructions are written get in the way of learning. The text feels “too much like a seminar workshop” which the author is noted for. Lectures go too fast at times. Sometimes there is a need for visual pointers for additional guidance so one does not “get lost”. Sometimes with seminars, I say to myself “ stop, hold-it, backup”. The seminar has moved ahead and I am stuck or still digesting what is said. Added visual pointers can help slow down the written workflow when one needs to, to regroup and then forge onward.
But fortunately this is a book and you can go back and try to make sense of the process if you are listening to a presentation/ workshop. I thought about the final “grade” for evaluating this review. Overall this book is solid but it has a lot of gaps mainly because of the multitude of text and not enough visuals. The tutorials are too long and should have been broken up. At times I found it difficult to figure things what the author was trying to “say”. I have seen tutorials in other books. I just did not “get what the author was saying” part of the time. Part of the problem is “too much text”.
I was looking for something a little different to find out more about using Photoshop skills to supplement what I already knew and in some ways I found it in some of the chapters. But much of this book and the way it reads does not suit my “learning style”. For my tastes, I will have to look to my other resources to advance my workflow knowledge. But other Photoshop ( intermediate and advanced) users who want to improve their image production and work on their workflow, may find the book to their liking.
Wednesday, January 23, 2008
review Digital Astrophotography : A Guide to capturing the Cosmos
Digital Astrophotography : A Guide to capturing the Cosmos
reviewed by Dr. Eric Flescher, Olathe, KS: (dreric1kansas@aol.com)
Author: Stefan Setp
website: http://www.photomeeting.de/astromeeting/_index.htm
Publisher: Oreilly Media, , Inc. ,1005 Gravenstein Highway North, Sebastopol, CA 9547
Released: 2008
Pages: 155
$30 USA
$33 Canada
ISBN 10: 1-933952-16-4 |
ISBN 13:9781933952161
Strengths: Provides solid information about using equipment, cameras and resources for astrodigital photography. Good examples of his masterful astrophotos. Descriptive information and guide oriented information for Registax and Astroart image processing software. Colorful photo and screenshots.
Weaknesses: No index. Glossary of resources should have been indexed and have additional information about each item. Some of the screenshots are too small to read. Screenshots do not have additional circles, arrows and other visuals “ to zone in on” which parts of the screen instructions go with the text. Guide information is “jumbled” together in paragraph form instead of being spread out , numbered and being easier to read. The author uses Astroart, a commercially available program. If you use another program ( for example one listed in the Resources section) for stacking and image processing, you will have to either find your own manual or use the information to try to piece together the information about using image processing. Novice astrophotographers may need to consult other camera, astronomy and image editing resources and information.
novice/ Intermediate/Advanced
Rating: 4/5
Introduction
The Starry skies and observing the stars have captured our imagination since ancient times. Observing and records came first and then sketching was available. Photographing on film the heavens was a great step forward. Presently the use of digital cameras and equipment are the rage. Amateur astronomers are increasingly using digital devices to “capture” the heavenly objects and events. One noted astronomer and photography has provided a guide book to help you with your digital photography: Digital Astrophotography : A Guide to capturing the Cosmos.
The author is a celebrated astrophotographer for many years. His knowledge and his astronomical photographs are displayed on his website which is well stocked with many brilliant photos. I was interested to see how much of his knowledge could be “communicated” in this book, so that myself and others could learn about the technigues and information that has brought these brilliant photos to fruition.
The author provide information about hardware, software, methods and techniques. Chapter 1 “Before you start” offers a welcome introduction to starting out with this hobby. It starts from “ the ground up” so novice astrophotographers will find the information well suited for them as well. There is a good solid information and ideas about browsing, choosing and working with simple compact digital camera, tripods and telescopes
Chapter 2, digital compact camera are introduced.
Chapter 3 has webcam information and explains the advantages and disadvantages of the overall use for astrophotography. The more popular webcams available market (ex. Phillips Toucam and four others are listed with photographs) but there is no information what are the “pros and cons “ of each. The author elaborates on using the free (PC) programs called Registax which is a fine program. However this software could also be used with digital cameras and equipment but this was not mentioned.
This part of the book also has a good instruction on the use of avi files for processing your video to images (don’t know what that is then you will have to consult other information). Websites where these webcams can be found are listed in the resources section but you will have to hunt for them as these are no segregated. There is a section on fine tuning with photoshop (p.58-59) but the information does not include additional processing (using photoshop) such as unsharp mask (which I did actually find is in another section (p.86) with DSLR. This is where a good index would have helped.
In Chapter 4, digital cameras is the main focus of information. Using a DSLR camera to shoot the Sun, Moon, stars, star clusters, and nebulae while attached to your telescope are discussed. The digital lens reflex camera demonstrated in this chapter is the Canon Rebel XT (which is what I use as well). However this chapter does not include additional information concerning the differences between using the XT model and the newer XTi model. Other cameras are listed in the resources section however non- canon users will have to consult their manual, manufacturer’s website (see resource guide) or another book to learn all about their DSLR (digital single lens reflex) camera. Maybe it does have to be told but it is important before using this book and this chapter, that you know and be comfortable using your camera first so that you will be ready for the assistance laid out in the astronomically oriented chapter in Chapter 5. It is tough to cover everything but as I looked through this chapter I found that important information was missing.
I found the lack of credible and informative techniques and information concerning the using of the cameras bulb extended time exposure, a little mystifying. In addition some of the equipment is a little dated. For example, it is a good idea to use a device to automatically snapping your shutter without having to touch the camera yourself. There are remote cords that can do this (for canon and other cameras). However nothing was expressed about the use of remotes that use infrared (which I have and use) and are even better for remote work.
Chapter 5, the astronomical CCD camera, using charge-coupled device (CCD) and camera assists with learning about these nice instrument. This chapter has a nice section regarding the use of dark frames (p. 118). Helpful fine explanations as well as the importance for using these with your photos and FITS formats are well explained. Flat field and bias frames also are helpful to know.
There is a nice glossary of important terms used throughout the book. The Appendix, has a nice listing of application areas for digital astrophotography as applied to equipment and the celestial sights we can see and image. However this nice chart does not integrate itself well into the chapters. In addition, I have enjoyed photographing many comets but such celestial wonders are missing from this listing and any part of the book.
A Resources section has a number of image processing software program listed (non alphabetically listed in the titles). These are all “mixed-up” together in the listing and not categorized (according to image processing, software, image manipulation, video capture etc).I was a little perplexed to find that Starry Night Pro software (which I use), is listed as “image processing software”, which it is not.
The main tool for image editing is called Astroart which is a PC (only no Macintosh) based commercial program (p. 122 -132). A fine program in its own right, the author helps you learn the program. There are screenshots to help in the process (the sizing is better then in other parts of the book) but once again the author does not use highlighting symbols (arrows, red circles, numbering system etc) to go along with the instruction. Astroart is the only other program to use (along with registax) if you are looking for a free based program . You can use (the free) Registax (have to look up what kind of PC needed but not here) with your PC.
Throughout the book and the chapters there is too much “verbosity” with the instructions. There are guided steps and instructions but these are all “mashed” together in long paragraphs without ample space. This makes the reading a little tedious.
The step by step processes would have been easier to understand and easier to read if a numbering systems was used or separations. More space in between the instructions would help in the integration with the visual screenshots as well. Screenshots do not have additional circles, arrows and other visuals to zone in on which parts of the screen instructions go with the text.
I was disappointed in the resource section which is not concise enough. The are jumbled together with software, applications and other resources all together. Each does not have much information. There is nothing that is said whether some of the software is for macintosh or windows or both. In addition, the cover has a beautiful photograph of a total solar eclipse (that he took no doubt additional information is nowhere to be found). I had to go into his website to figure out where it was. I would have liked more information about filters, what kind of exposures for lunar and solar eclipses etc or at least an explanation where additional information could be found.
Most astrophotography and image processing books and tutorial type books offer an index of specific categories and titles found in the book. What I found to be an unforgivable omission is the lack of an index. While the chapters are fine, it would have been nice to have specific topics listed in an index.
Conclusions
When it comes to digital astrophotography for me, I am always looking for more insights and information that will “put it all together”. I am always searching, like others, to make my photos, the best they can be. While I have had astronomical photos published in Astronomy magazine and my web blogs and websites, I still have a lot of room for improvement.
Many amateur astronomers who are becoming acquainted with various photographic devices are taking advantage and using them for their astronomical photographic work. There are bits and pieces from this book that I can use but I wanted “more”. I did not expect this book to be the all-in-one resource guide on everything digital astrophotography for me. While the author is a fine astrophotographer and has compiled a good a wealth of techniques, ideas and information involved image processing, I still need to search for more.
This book is great for those looking for equipment to use and sorting out there choices for how and what ways their astrophotography endeavors can start and develop. It is a fine resource. But the book, might not be what you want. Possibly you already have all the equipment you have or need.
If you don’t plan to use the Astroart program, a cornerstone in this author’s tutorial explanations for image processing, you will need to find another program ( for example one listed in the Resources section), for stacking and image processing. But if you buy this book , then you have the option to either find your own manual or use the information that comes with the software, to “piece together” the image processing techniques. In addition, most of the book can be used to help MacIntosh astronomy hobbyists but several of the better image processing program for MacIntosh are not listed in the resource section. Macintosh users can use the PC software with their Intel newer MacIntosh computers but this is not mentioned.
I like most of the book and what it “has to say.” However the index omission, the haphazard resource listing and the focusing upon Astroart as the sole basis for image processing instruction just disappointed me. I wonder why Registax is only application used for webcams? Couldn’t Registax could be used withCCD imaging (chapter). I can work these pieces of software on my older Compaq and in that way I will learn more. But still I am working towards using my Macintosh for image processing that will elevate my astrophotography skills while using this book.
This book is still a good resource in many regards. Perhaps the next version of this book will be improved on some of the concerns I mentioned. Some astronomy enthusiasts looking for answers to their astrophotography questions will like this book as is. However I suggest before you buy this book, check it out and see that it has what you want and if the book can help you. That is better then being disappointed when the shipment arrives. That way you can choose another astronomy digital processing books that can meet your your image processing better.
reviewed by Dr. Eric Flescher, Olathe, KS: (dreric1kansas@aol.com)
Author: Stefan Setp
website: http://www.photomeeting.de/astromeeting/_index.htm
Publisher: Oreilly Media, , Inc. ,1005 Gravenstein Highway North, Sebastopol, CA 9547
Released: 2008
Pages: 155
$30 USA
$33 Canada
ISBN 10: 1-933952-16-4 |
ISBN 13:9781933952161
Strengths: Provides solid information about using equipment, cameras and resources for astrodigital photography. Good examples of his masterful astrophotos. Descriptive information and guide oriented information for Registax and Astroart image processing software. Colorful photo and screenshots.
Weaknesses: No index. Glossary of resources should have been indexed and have additional information about each item. Some of the screenshots are too small to read. Screenshots do not have additional circles, arrows and other visuals “ to zone in on” which parts of the screen instructions go with the text. Guide information is “jumbled” together in paragraph form instead of being spread out , numbered and being easier to read. The author uses Astroart, a commercially available program. If you use another program ( for example one listed in the Resources section) for stacking and image processing, you will have to either find your own manual or use the information to try to piece together the information about using image processing. Novice astrophotographers may need to consult other camera, astronomy and image editing resources and information.
novice/ Intermediate/Advanced
Rating: 4/5
Introduction
The Starry skies and observing the stars have captured our imagination since ancient times. Observing and records came first and then sketching was available. Photographing on film the heavens was a great step forward. Presently the use of digital cameras and equipment are the rage. Amateur astronomers are increasingly using digital devices to “capture” the heavenly objects and events. One noted astronomer and photography has provided a guide book to help you with your digital photography: Digital Astrophotography : A Guide to capturing the Cosmos.
The author is a celebrated astrophotographer for many years. His knowledge and his astronomical photographs are displayed on his website which is well stocked with many brilliant photos. I was interested to see how much of his knowledge could be “communicated” in this book, so that myself and others could learn about the technigues and information that has brought these brilliant photos to fruition.
The author provide information about hardware, software, methods and techniques. Chapter 1 “Before you start” offers a welcome introduction to starting out with this hobby. It starts from “ the ground up” so novice astrophotographers will find the information well suited for them as well. There is a good solid information and ideas about browsing, choosing and working with simple compact digital camera, tripods and telescopes
Chapter 2, digital compact camera are introduced.
Chapter 3 has webcam information and explains the advantages and disadvantages of the overall use for astrophotography. The more popular webcams available market (ex. Phillips Toucam and four others are listed with photographs) but there is no information what are the “pros and cons “ of each. The author elaborates on using the free (PC) programs called Registax which is a fine program. However this software could also be used with digital cameras and equipment but this was not mentioned.
This part of the book also has a good instruction on the use of avi files for processing your video to images (don’t know what that is then you will have to consult other information). Websites where these webcams can be found are listed in the resources section but you will have to hunt for them as these are no segregated. There is a section on fine tuning with photoshop (p.58-59) but the information does not include additional processing (using photoshop) such as unsharp mask (which I did actually find is in another section (p.86) with DSLR. This is where a good index would have helped.
In Chapter 4, digital cameras is the main focus of information. Using a DSLR camera to shoot the Sun, Moon, stars, star clusters, and nebulae while attached to your telescope are discussed. The digital lens reflex camera demonstrated in this chapter is the Canon Rebel XT (which is what I use as well). However this chapter does not include additional information concerning the differences between using the XT model and the newer XTi model. Other cameras are listed in the resources section however non- canon users will have to consult their manual, manufacturer’s website (see resource guide) or another book to learn all about their DSLR (digital single lens reflex) camera. Maybe it does have to be told but it is important before using this book and this chapter, that you know and be comfortable using your camera first so that you will be ready for the assistance laid out in the astronomically oriented chapter in Chapter 5. It is tough to cover everything but as I looked through this chapter I found that important information was missing.
I found the lack of credible and informative techniques and information concerning the using of the cameras bulb extended time exposure, a little mystifying. In addition some of the equipment is a little dated. For example, it is a good idea to use a device to automatically snapping your shutter without having to touch the camera yourself. There are remote cords that can do this (for canon and other cameras). However nothing was expressed about the use of remotes that use infrared (which I have and use) and are even better for remote work.
Chapter 5, the astronomical CCD camera, using charge-coupled device (CCD) and camera assists with learning about these nice instrument. This chapter has a nice section regarding the use of dark frames (p. 118). Helpful fine explanations as well as the importance for using these with your photos and FITS formats are well explained. Flat field and bias frames also are helpful to know.
There is a nice glossary of important terms used throughout the book. The Appendix, has a nice listing of application areas for digital astrophotography as applied to equipment and the celestial sights we can see and image. However this nice chart does not integrate itself well into the chapters. In addition, I have enjoyed photographing many comets but such celestial wonders are missing from this listing and any part of the book.
A Resources section has a number of image processing software program listed (non alphabetically listed in the titles). These are all “mixed-up” together in the listing and not categorized (according to image processing, software, image manipulation, video capture etc).I was a little perplexed to find that Starry Night Pro software (which I use), is listed as “image processing software”, which it is not.
The main tool for image editing is called Astroart which is a PC (only no Macintosh) based commercial program (p. 122 -132). A fine program in its own right, the author helps you learn the program. There are screenshots to help in the process (the sizing is better then in other parts of the book) but once again the author does not use highlighting symbols (arrows, red circles, numbering system etc) to go along with the instruction. Astroart is the only other program to use (along with registax) if you are looking for a free based program . You can use (the free) Registax (have to look up what kind of PC needed but not here) with your PC.
Throughout the book and the chapters there is too much “verbosity” with the instructions. There are guided steps and instructions but these are all “mashed” together in long paragraphs without ample space. This makes the reading a little tedious.
The step by step processes would have been easier to understand and easier to read if a numbering systems was used or separations. More space in between the instructions would help in the integration with the visual screenshots as well. Screenshots do not have additional circles, arrows and other visuals to zone in on which parts of the screen instructions go with the text.
I was disappointed in the resource section which is not concise enough. The are jumbled together with software, applications and other resources all together. Each does not have much information. There is nothing that is said whether some of the software is for macintosh or windows or both. In addition, the cover has a beautiful photograph of a total solar eclipse (that he took no doubt additional information is nowhere to be found). I had to go into his website to figure out where it was. I would have liked more information about filters, what kind of exposures for lunar and solar eclipses etc or at least an explanation where additional information could be found.
Most astrophotography and image processing books and tutorial type books offer an index of specific categories and titles found in the book. What I found to be an unforgivable omission is the lack of an index. While the chapters are fine, it would have been nice to have specific topics listed in an index.
Conclusions
When it comes to digital astrophotography for me, I am always looking for more insights and information that will “put it all together”. I am always searching, like others, to make my photos, the best they can be. While I have had astronomical photos published in Astronomy magazine and my web blogs and websites, I still have a lot of room for improvement.
Many amateur astronomers who are becoming acquainted with various photographic devices are taking advantage and using them for their astronomical photographic work. There are bits and pieces from this book that I can use but I wanted “more”. I did not expect this book to be the all-in-one resource guide on everything digital astrophotography for me. While the author is a fine astrophotographer and has compiled a good a wealth of techniques, ideas and information involved image processing, I still need to search for more.
This book is great for those looking for equipment to use and sorting out there choices for how and what ways their astrophotography endeavors can start and develop. It is a fine resource. But the book, might not be what you want. Possibly you already have all the equipment you have or need.
If you don’t plan to use the Astroart program, a cornerstone in this author’s tutorial explanations for image processing, you will need to find another program ( for example one listed in the Resources section), for stacking and image processing. But if you buy this book , then you have the option to either find your own manual or use the information that comes with the software, to “piece together” the image processing techniques. In addition, most of the book can be used to help MacIntosh astronomy hobbyists but several of the better image processing program for MacIntosh are not listed in the resource section. Macintosh users can use the PC software with their Intel newer MacIntosh computers but this is not mentioned.
I like most of the book and what it “has to say.” However the index omission, the haphazard resource listing and the focusing upon Astroart as the sole basis for image processing instruction just disappointed me. I wonder why Registax is only application used for webcams? Couldn’t Registax could be used withCCD imaging (chapter). I can work these pieces of software on my older Compaq and in that way I will learn more. But still I am working towards using my Macintosh for image processing that will elevate my astrophotography skills while using this book.
This book is still a good resource in many regards. Perhaps the next version of this book will be improved on some of the concerns I mentioned. Some astronomy enthusiasts looking for answers to their astrophotography questions will like this book as is. However I suggest before you buy this book, check it out and see that it has what you want and if the book can help you. That is better then being disappointed when the shipment arrives. That way you can choose another astronomy digital processing books that can meet your your image processing better.
Tuesday, January 8, 2008
Understand Exposure book review
Understand Exposure (revised edition)
reviewed by Dr. Eric Flescher, Olathe, KS: (dreric1kansas@aol.com)
Author: Bryan Peterson
Publisher: Amphoto Books, 770 Broadway , NY, NY 1003
website: www.watsonguptill.com
Released: 2004 (Revised edition)
Pages: 160
$25 USA
ISBN-10: 0817463003
# ISBN-13: 978-081746300
Strengths: Beautiful color photos. Not a tutorial type book. This book is not a “pocket guide” but a “full meal deal.” It takes time to read and “ digest.” But it is a very worthwhile to help you improve your photographic skills.
Weaknesses: Only 160 pages but is packed with information.
Novice/Intermediate/Advanced
Rating: 5/5
I had read information about the author (of this book) and his focus on photography and the difficulties of using exposure. The essence of it struck a cord with me. I wanted to get this book and discover further about the author insights.
I have taken photographs for many years, under many different situation with the main objective being to advance my skills and capture better photos. Since the author had beautiful award winning photos, I wanted to know further about his methods concerning explaining relationships of aperture, shutter speed and film/ digital speed (ISO/ASA) which he considered the cornerstone of making (his ) magnificent photos. Called the “photographer’s triangle,” the main idea is to perfect this “trifecta (three fold)” of methods (aperture, shutter speeds, and ISO/ASA). I was hoping that I would find fresh beneficial ideas that might benefit myself as well as other photographers. And I was glad I did.
This book is only 160 pages but is loaded with information within the six chapters and the index. Don’t expect a series of tutorials for relaying the information. What this book offers is a set of insightful and easy to grasp notions that expand your knowledge of photography, photographic methods and the ideas which involve creating photograph in general.
The way the author writes is a like an “unfolding story.” The ideas and methods actually intertwine and integrate along the way. Each idea has at least one of the author’s superb photos that immediately “pops out at you.” He weaves his ideas and explains how the final product created this award winning photo. Basic information is included along with the final exposure and additional information. Several times the focus also includes how the photo were initially created and then gradually transformed into a “better photo” and why. One or more photos show the “before and after” effects.
This book is not only enlightening but extremely instructive. Along the way to reading this beautiful books, there is information concerning polarizing filters, double and multiple exposures. Instead of reading this book as a speed reading course, you “digest it slowly “ and “think about what is being said.” In this day in age, where speed is everything, this is a welcome read.
This book is not a “pocket guide” but a “full meal deal.” This definitely is a book that you “slowly digest.” If you desire to learn about photography and take your time learning, this is a great book from an award winning photographer. While it might take a little time to finish the book , most will learn from the author’s methods and his ideas.
The best way to learn from this book is to read the information, think about the photos and then how it might relate to your photos that you have taken in the past or want to take in the future. Whether you are just starting your photographic endeavors or advanced photographer, the author will give you something to think about, learn and construct your photos to a better level.
reviewed by Dr. Eric Flescher, Olathe, KS: (dreric1kansas@aol.com)
Author: Bryan Peterson
Publisher: Amphoto Books, 770 Broadway , NY, NY 1003
website: www.watsonguptill.com
Released: 2004 (Revised edition)
Pages: 160
$25 USA
ISBN-10: 0817463003
# ISBN-13: 978-081746300
Strengths: Beautiful color photos. Not a tutorial type book. This book is not a “pocket guide” but a “full meal deal.” It takes time to read and “ digest.” But it is a very worthwhile to help you improve your photographic skills.
Weaknesses: Only 160 pages but is packed with information.
Novice/Intermediate/Advanced
Rating: 5/5
I had read information about the author (of this book) and his focus on photography and the difficulties of using exposure. The essence of it struck a cord with me. I wanted to get this book and discover further about the author insights.
I have taken photographs for many years, under many different situation with the main objective being to advance my skills and capture better photos. Since the author had beautiful award winning photos, I wanted to know further about his methods concerning explaining relationships of aperture, shutter speed and film/ digital speed (ISO/ASA) which he considered the cornerstone of making (his ) magnificent photos. Called the “photographer’s triangle,” the main idea is to perfect this “trifecta (three fold)” of methods (aperture, shutter speeds, and ISO/ASA). I was hoping that I would find fresh beneficial ideas that might benefit myself as well as other photographers. And I was glad I did.
This book is only 160 pages but is loaded with information within the six chapters and the index. Don’t expect a series of tutorials for relaying the information. What this book offers is a set of insightful and easy to grasp notions that expand your knowledge of photography, photographic methods and the ideas which involve creating photograph in general.
The way the author writes is a like an “unfolding story.” The ideas and methods actually intertwine and integrate along the way. Each idea has at least one of the author’s superb photos that immediately “pops out at you.” He weaves his ideas and explains how the final product created this award winning photo. Basic information is included along with the final exposure and additional information. Several times the focus also includes how the photo were initially created and then gradually transformed into a “better photo” and why. One or more photos show the “before and after” effects.
This book is not only enlightening but extremely instructive. Along the way to reading this beautiful books, there is information concerning polarizing filters, double and multiple exposures. Instead of reading this book as a speed reading course, you “digest it slowly “ and “think about what is being said.” In this day in age, where speed is everything, this is a welcome read.
This book is not a “pocket guide” but a “full meal deal.” This definitely is a book that you “slowly digest.” If you desire to learn about photography and take your time learning, this is a great book from an award winning photographer. While it might take a little time to finish the book , most will learn from the author’s methods and his ideas.
The best way to learn from this book is to read the information, think about the photos and then how it might relate to your photos that you have taken in the past or want to take in the future. Whether you are just starting your photographic endeavors or advanced photographer, the author will give you something to think about, learn and construct your photos to a better level.
Saturday, November 24, 2007
Macro Photography book review
Macro Photography Photo Workshop
Reviewed by Dr. Eric Flescher
***
Strengths: Magnificent layout makes the book easy to read. Superb general examples of photography, close-ups, large screen shots and (Photoshop) screen well done. The author has included many insightful ways of looking and dealing with Macro Photography as well as photography in general. Breadth and depth covered in excellent fashion. This book is Intuitively written and easy to understand.
Weaknesses: This is not a tutorials guide, per se. You have to “digest” the readings slowly step by step like a textbook. The tutorials are learned through these worthwhile readings. If you want a quick guide, this is not for you (but you will miss a great book!).
Introduction
Most of my photography has been with nature, sky and other worldly objects, using telephoto, regular or other lenses. Lately however I have seen objects such as spiders, plants and other objects that show objects close up. Having dabbled in taking close-up pictures of spiders, flowers, moths and more, I thought it lucky that a book called Macro Photography appeared at the right time when I was searching for further information about creating better close-up photographs. And this is why I was happy about finding it.
The author, a freelance writer, has a popular photography blog and is known for his creativity and work with hardware. He also has a good way of using words and I found that his ideas and ways he communicated them within the tutorials and more, a great read. In many ways, I found the “wording” and “ his ideas different then I had ever thought about. I found myself being drawn into the book by this and several other ways.
The author, using expressive words, says that macro photography “has changed over time and that macro photography has changed it even to further”. The 10th chapter spans a wide range of his important insights, reflections and ideas. What is remarkable about this book is the extremely intuitive nature and the clear ideas that are laid out about macro photography.
Instead of regular text laden tutorials, the author integrates detailed examples (photos) with profound statement that are instantly understood. These insights gave me a “new look” on several ideas and included new insights that I could use about photography in general but also macro photography. Instead of stating the obvious or including information that one should just do a task, the author eases the user into understanding and the “why’s and how’s”. This is a refreshing change. His statements are communicated brilliantly and concisely. He also addresses how and what ways macro photography “has changed over time and how digital photography has changed it even more” (page 5). He then continues to introduce you to “the regular topics” used in macro photography and going beyond.
Photos in the book (collected from other photographers) are magnificent and illustrate his “points of view and idea,” too an even greater extent. He also says that while macro photography can be used in many ways, many of the rules that apply to other branches of photography are “meaningless when you start to getting close enough for the results you want” (page 7). I found statements like this and others helped me pay attention even further to the remarkable detail the author has crafted into this book.
Orange box-markers (ref for reference) within the chapters, detail additional ideas regarding instruction, hardware or software. Additional ideas called “notes”, assist with knowing about equipment, learning new ideas, and even include websites for finding additional information. Boxes with “tip” inside yield information about equipment. “Idea” boxes include other websites and resources to search for find additional information.
Chapter 1 eases you into the world of macro photography. This includes basic challenges, working with macros and information about camera bodies for the topic of this book. Chapter 2 focuses more in-depth about equipment, while Chapter 3 includes lighting under many situations (well done chapter and important). Chapter 4 lays the ground work for “ macro opportunities everywhere.” This is followed by subsequent chapters which include techniques and ideas for photographing flowers, textures, insects. Then skills can be practiced with abstracts pictures and art and people. Finally Chapter 10 includes digital darkrooms skills and understanding more “how’s and what’s” which includes Raw information.
In the Appendix A, there are internet resources while Appendix B includes the 10 names of contributing photographers who has some of the books photos utilized in this text. A nice glossary allows for the searching of vocabulary, while the index helps find additional information at your finger tips.
Conclusions
I really found this book insightful, resourceful and a refreshing way to learn about photography. I instantly found more information concerning utilizing my camera for “macro – fun. ” The photos elevated my ideas even further because I literally could look at the photos and tutorial/ readings and instantly get “a-hah (insight)” in my mind how and when to try to use my camera for other close-ups now and in the future.
Recommendation
I think you will be delighted you found this book for several reasons. The price is right and is a great buy. Everywhere you turn in this book, you will learn something new. It looks good and will no doubt inspire you to look at the “the world “ and using your camera in different way.
Anyone who wants to use their digital camera for close-ups / macro activities should take a look at this book. Not only does it expand your thoughts about exploring with your camera but also the best ways to experiment and how. You will also discover some twenty-plus ways to be challenged, how to troubleshoot and use your digital-editing skills to create effects desired. Find and read this book to get as many “ahahs” as I did.
Reviewed by Dr. Eric Flescher
***
Strengths: Magnificent layout makes the book easy to read. Superb general examples of photography, close-ups, large screen shots and (Photoshop) screen well done. The author has included many insightful ways of looking and dealing with Macro Photography as well as photography in general. Breadth and depth covered in excellent fashion. This book is Intuitively written and easy to understand.
Weaknesses: This is not a tutorials guide, per se. You have to “digest” the readings slowly step by step like a textbook. The tutorials are learned through these worthwhile readings. If you want a quick guide, this is not for you (but you will miss a great book!).
Introduction
Most of my photography has been with nature, sky and other worldly objects, using telephoto, regular or other lenses. Lately however I have seen objects such as spiders, plants and other objects that show objects close up. Having dabbled in taking close-up pictures of spiders, flowers, moths and more, I thought it lucky that a book called Macro Photography appeared at the right time when I was searching for further information about creating better close-up photographs. And this is why I was happy about finding it.
The author, a freelance writer, has a popular photography blog and is known for his creativity and work with hardware. He also has a good way of using words and I found that his ideas and ways he communicated them within the tutorials and more, a great read. In many ways, I found the “wording” and “ his ideas different then I had ever thought about. I found myself being drawn into the book by this and several other ways.
The author, using expressive words, says that macro photography “has changed over time and that macro photography has changed it even to further”. The 10th chapter spans a wide range of his important insights, reflections and ideas. What is remarkable about this book is the extremely intuitive nature and the clear ideas that are laid out about macro photography.
Instead of regular text laden tutorials, the author integrates detailed examples (photos) with profound statement that are instantly understood. These insights gave me a “new look” on several ideas and included new insights that I could use about photography in general but also macro photography. Instead of stating the obvious or including information that one should just do a task, the author eases the user into understanding and the “why’s and how’s”. This is a refreshing change. His statements are communicated brilliantly and concisely. He also addresses how and what ways macro photography “has changed over time and how digital photography has changed it even more” (page 5). He then continues to introduce you to “the regular topics” used in macro photography and going beyond.
Photos in the book (collected from other photographers) are magnificent and illustrate his “points of view and idea,” too an even greater extent. He also says that while macro photography can be used in many ways, many of the rules that apply to other branches of photography are “meaningless when you start to getting close enough for the results you want” (page 7). I found statements like this and others helped me pay attention even further to the remarkable detail the author has crafted into this book.
Orange box-markers (ref for reference) within the chapters, detail additional ideas regarding instruction, hardware or software. Additional ideas called “notes”, assist with knowing about equipment, learning new ideas, and even include websites for finding additional information. Boxes with “tip” inside yield information about equipment. “Idea” boxes include other websites and resources to search for find additional information.
Chapter 1 eases you into the world of macro photography. This includes basic challenges, working with macros and information about camera bodies for the topic of this book. Chapter 2 focuses more in-depth about equipment, while Chapter 3 includes lighting under many situations (well done chapter and important). Chapter 4 lays the ground work for “ macro opportunities everywhere.” This is followed by subsequent chapters which include techniques and ideas for photographing flowers, textures, insects. Then skills can be practiced with abstracts pictures and art and people. Finally Chapter 10 includes digital darkrooms skills and understanding more “how’s and what’s” which includes Raw information.
In the Appendix A, there are internet resources while Appendix B includes the 10 names of contributing photographers who has some of the books photos utilized in this text. A nice glossary allows for the searching of vocabulary, while the index helps find additional information at your finger tips.
Conclusions
I really found this book insightful, resourceful and a refreshing way to learn about photography. I instantly found more information concerning utilizing my camera for “macro – fun. ” The photos elevated my ideas even further because I literally could look at the photos and tutorial/ readings and instantly get “a-hah (insight)” in my mind how and when to try to use my camera for other close-ups now and in the future.
Recommendation
I think you will be delighted you found this book for several reasons. The price is right and is a great buy. Everywhere you turn in this book, you will learn something new. It looks good and will no doubt inspire you to look at the “the world “ and using your camera in different way.
Anyone who wants to use their digital camera for close-ups / macro activities should take a look at this book. Not only does it expand your thoughts about exploring with your camera but also the best ways to experiment and how. You will also discover some twenty-plus ways to be challenged, how to troubleshoot and use your digital-editing skills to create effects desired. Find and read this book to get as many “ahahs” as I did.
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